Capital Style

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  • Jun 27

    West End Live

    West End Live is an event that takes place in the UK capital, originally based on a New York Broadway event. London’s version is in Leicester Square and provides free entertainment for Londoners and tourists alike, in the form of short sets from members of the cast of many of the popular west end musical shows. In 2009 this all happened last weekend and theatre breaks was there to capture some of the performances.

    Wicked Theatre Breaks

    Alexia Khadime is Elphaba in Wicked
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    Priscilla Queen of the Desert West End Live 2009 theatre breaks

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    Dirty dancing west end live 2009 theatrebreaks

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    We Will Rock You West End Live 2009 theatre breaks

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    Sister Act West End Live theatre breaks

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  • Jun 9

    3rd Arrondissement Paris Breaks – Le Marais

    The Marais district covers the 3rd and much of the 4th arrondissements. Le Marais  means literally “the swamp” and it’s now one of the best-loved right bank areas. There were many decades of decay, but now Le Marais has made a big comeback, though perhaps not quite like it was in the 17th-century when prosperous aristocrats inhabited the 3rd. It’s a great place to base Paris breaks now, being charmingly unique but also very central.

    marais paris breaks 300x237 paris

    The Marais contains Paris’s major gay neighbourhoods,with lots of gay/lesbian restaurants, bars, and stores, as well as the remains of the old Jewish quarter, centered on rue des Rosiers. Two of the best attractions are museums. The Musée Picasso is a well curated collection of paintings, sculptures and ceramics which the French Government inherited in lieu of death duties. The Musée Carnavalet, a history museum also in the Marais depicts Parisian life from prehistoric times to the present. Small restaurants, kosher food and felafel kiosks abound for informal lunches.

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  • May 5

    Richmond is a stylish area of West London next to the river Thames and it the location of one of the best preserved old Odeon cinemas.

    Richmond Odeon Cinema

    The Richmond Kinema opened on 21st April, Easter Monday,  1930. The first films shown that day were Gold Diggers of Broadway and The Cockney Spirit In War.

    It was built for the Joseph Mears Theatres circuit. It had an original seating capacity of 1,533 in stalls and circle levels, making Richmond Kinema the largest Cinema yet built in teh West London area.  It was re-named Premier Cinema from 29th June 1940  this was to enable the removal of the Richmond name on the cinema, in case German parachutists landed nearby).

    It was taken over by Oscar Deutsch’s Odeon Theatres Ltd. from 3rd January 1944 and was re-named Odeon in May 1944. Converted into a triple screen from 30th December 1972. Screen 1 in the old circle is beautiful. It retains the original Atmospheric style auditorium, modelled in the style of a 17th century Spanish courtyard.  Its owners confidently informed the public that their intention was to “make this Kinema equal to any in the West End,” The front of the auditorium was modelled on a fanciful recreation of a seventeenth century Spanish Grandee’s courtyard, features included ornate grillwork, Spanish tiles, Moorish windows and an intricate system of coloured lights was projected onto the ceiling to create an artificial sunrise and sunset in the intervals between films.

    Features include ornate grillwork, Spanish tiles, Moorish windows, even stone and plaster oranges and doves. Screens 2 & 3 are located under the circle and both have seating provided for 118. The entrance foyer plasterwork depicts all the various trades of the people the original owner (Joseph T. Mears) employed, lots of them.

    In 2008, the seating capacities are given as 406, 178 and 178.

    The Richmond Odeon is a Grade II Listed building because it’s the most architecturally interesting of Richmond’s Cinemas. It is believed to have been the first “semi-atmospheric” cinema in Britain.

    The cinema is now the Richmond Odeon and has been subdivided into three screens. But screen one is still a very attractive looking screen

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  • Apr 18

    Digital Cities 6: Concepts, Methods and Systems of Urban Informatics
    Workshop at the 4th International Conference on Communities and Technologies
    Penn State, USA, 24th June 2009

    April 30th, 2009 Workshop position papers due
    May 18th, 2009 Author notifications sent
    June 24th, 2009 Workshop

    http://cct2009.ist.psu.edu/workshops.cfm

    Keynote speaker

    We are happy to announce that Professor Carlo Ratti, Director of the SENSEable City Lab at MIT (senseable.mit.edu), will deliver the keynote presentation at Digital Cities 6.

    The real-time city is now real! The increasing deployment of sensors and hand-held electronics in recent years is allowing a new approach to the study of the built environment. The way we describe and understand cities is being radically transformed – alongside the tools we use to design them and impact on their physical structure. Studying these changes from a critical point of view and anticipating them is the goal of the SENSEable City Laboratory, a new research initiative at the Massachusetts Institute of Technology.

    1 Theme

    Transport grids, building complexes, information and communication technology, social networks and people form the bones, organs, muscles, nerves and cell tissue of a city. Studying the organisation and structure of these systems may seem straightforward at first, since there are visible artifacts and tangible objects that we can observe and examine. We can count the number of cars on the road, the number of apartments in a building, the number of emails on our computer screens and the number of profiles on social networking sites. We could also qualify these observations by recording the make and model of cars, the size and price of apartments, the sender and recipient of emails and the content and popularity of online profiles. This approach would potentially produce a large amount of data and render a detailed map of various levels of a city’s infrastructure, but a large quantity of detail does not necessarily result in a great quality (and clarity) of meaning. How do we analyse this data to better understand the ‘city’ as an organism? How do the cells of the city cluster to form tissue and organs, and how do various systems communicate and interact with each other? And, recognising that we ourselves are cells living in cities as active agents, how do we evaluate the effectiveness and efficiency of the processes we observe in order to plan, design and develop more livable cities?

    A macroscopic perspective of urban anatomy does not easily reveal those meticulous details which are necessary to help us understand and appreciate what Anthony Townsend calls the urban metabolism (Townsend, 2000), that is, the nutrients, capacities, processes and pace which nurture the city to keep it alive. Some of the fascination with human anatomy stems from the fact that a living body is more than the sum of its parts. Similarly, the city is more than the sum of its physical elements. Trying to get to the bottom of a city’s existence, urban anatomists have to become dissectors of urban infrastructure by trying to microscopically uncover the connections and interrelationships of city elements. Yet, this is anything but trivial for at least three reasons. First, time is a crucial factor. Many events that trigger urban processes involving multiple systems result in a timely interrelated response. A dissection by isolating one system from another, would cut the communication link between them and jeopardise the study of the wider process. The city comprises many of these real-time systems and requires approaches and tools to conduct real-time examinations. Second, the physical city is increasingly complemented with a virtual layer that digitally augments and enhances urban infrastructures by means of information and communication technology including mobile and wireless networks. This world, which Mitchell (1995) called the ‘city of bits,’ is invisible to the human eye, and we require instruments for live surgery to render the invisible visible. Third and most importantly, the ‘cells’ of the urban body, the lifeblood of cities, are the city dwellers who have a life of their own and who introduce human fuzziness and socio-cultural variables to the study of the city. The toolbox of what could be termed anthropological urban anatomy thus calls for research approaches that can differentiate (and break apart) a universally applicable model of ‘The City’ by being sensitive to individual circumstances, local characteristics and socio-cultural contexts.
    Exploring these three challenges, this workshop looks at concepts, research methods and instruments that become the microscope of urban anatomy. We want to discuss urban informatics systems that provide real-time tools for examining the real-time city, to picture the invisible and to zoom into a fine-grained resolution of urban environments that reveal the depth and contextual nuances of urban metabolism processes at work.

    2 Topics

    Relevant workshop topics include but are not limited to the following:

    • Civic and community engagement strategies to support urban planning
    • Public sphere, participation and online deliberation systems
    • Urban e-government, e-governance, e-participation, e-democracy approaches
    • u-City: Ubiquitous computing, pervasive technology, wireless internet and mobile applications
    • Locative media, navigation and space
    • Urban informatics design and development methods and epistemologies
    • Multi-format user-generated content (narratives, photos, videos, multimedia)
    • Neogeography and 3D virtual environments for urban design and planning
    • Simulations to reproduce and analyse complex social phenomena and city systems
    • Social networking, collective intelligence and crowd sourcing in the urban context
    • Environmental, economic and social sustainability
    • Citizen science
    • Access, trust, privacy, safety and surveillance
    • Implications for residential architecture and the design of cities and public spaces
    • Ethical considerations scrutinizing the assumptions behind urban informatics

    3 Organisation and Submission Details

    This is a full day workshop. We will start off with a keynote address by an eminent speaker. Rather than formal conference-style paper presentations, we will follow the successful peer interview format and ask each participant to interview another contributing author. Pairs will be assigned in advance to prepare questions and engage with the paper. After lunch, there will be a range of group activities and a closing plenary discussion at the end. The workshop can accommodate a maximum number of between 25 to 30 participants including presenters in order to provide an environment that is conducive to debate and interaction.
    We are interested in three types of contributions:

    Concepts: Essay style papers discussing theoretical and conceptual ideas and innovation within a cross-disciplinary framework.

    Methods: Papers reporting on novel approaches in the area of urban informatics, e.g. network action research, shared visual ethnography, urban probes, cross-disciplinary methods, etc.

    Systems: Reports of systems and case studies that ground findings in practice and experience.

    Prospective participants are asked to submit a position paper (2-4 pages total, in English, ACM SIGCHI 2-column format, same as for the C&T full papers) related to one of the workshop topics. Each submission should also include a short biography stating the author’s background and motivation for attending the workshop. Workshop position papers are due on April 30th, 2009 and will be reviewed and selected by the organisers with the support from an international program committee. Accepted authors will be notified by May 18th, 2009 – to leave enough time to qualify for the early bird conference registration. The acceptance of a workshop position paper implies that at least one of the authors will register for both the workshop and the Communities & Technologies 2009 conference. The workshop takes place on June 24th, 2009. After the workshop, selected contributors are invited to submit a full paper by October 1st, 2009. Full papers will undergo double blind peer review before being published. Arrangements for an edited book or a special issue of a relevant international journal are currently underway.

    Template:
    http://www.acm.org/sigs/publications/proceedings-templates

    4 Bibliography

    Each Digital Cities workshop has produced an edited volume containing selected workshop papers and other invited contributions as follows:

    Digital Cities 5 — Foth, M. (Ed.) (2009). Handbook of Research on Urban Informatics: The Practice and Promise of the Real-Time City. Hershey, PA: Information Science Reference, IGI Global.

    Digital Cities 4 — Aurigi, A., & De Cindio, F. (Eds.). (2008). Augmented Urban Spaces: Articulating the Physical and Electronic City. Aldershot, UK: Ashgate.

    Digital Cities 3 — van den Besselaar, P., & Koizumi, S. (Eds.). (2005). Digital Cities 3: Information Technologies for Social Capital (Lecture Notes in Computer Science No. 3081). Heidelberg, Germany: Springer.

    Digital Cities 2 — Tanabe, M., van den Besselaar, P., & Ishida, T. (Eds.). (2002). Digital Cities 2: Computational and Sociological Approaches (Lecture Notes in Computer Science No. 2362). Heidelberg, Germany: Springer.

    Digital Cities 1 — Ishida, T., & Isbister, K. (Eds.). (2000). Digital Cities: Technologies, Experiences, and Future Perspectives (Lecture Notes in Computer Science No. 1765). Heidelberg, Germany: Springer.

    5 Organisers

    Marcus Foth
    Senior Research Fellow, Queensland University of Technology, Brisbane, Australia
    m.foth@qut.edu.au

    Laura Forlano
    Kauffman Fellow in Law, Yale Law School, New Haven, USA
    laura.forlano@yale.edu

    Hiromitsu Hattori
    Assistant Professor, Department of Social Informatics, Kyoto University, Japan
    hatto@i.kyoto-u.ac.jp

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  • Mar 22

    Just a few days ago Google Maps unveiled Street View for the UK with most of London and several other major cities covered. So now you can explore all the inner city streets and byways.

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  • Paris Street View

    Filed under Paris
    Jan 19

    One way to help get orientated around Paris is by taking a virtual tour using the Google Maps street view facility. It’s quite detailed as you can see in the following screencast video I just made using screentoaster.com.

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  • Nov 25

    Mamma Mia London

    Mamma Mia the smash hit film, DVD and also the Mamma Mia London stage show.

    According to news just in Mamma Mia! The Movie has become the UK’s fastest-selling DVD. No wonder tickets for the Mamma Mia London stage show are selling fast, and people are also planing for Mamma Mia Theatre Breaks The bleak winter weather may have something to do with it. Who wouldn’t want to be transported to a Greek island?

    Mamma Mia Theatre Breaks

    Mamma Mia Theatre Breaks Packages consist of top tickets to see the West End show, together with a central London hotel deal and possibly discount rail fares and London attractions bundled in together as one inclusive transaction. Mamma Mia Theatre Breaks make great treats and gifts.
    mamma mia theatre breaks theatre breaks

    ** book Mamma Mia Theatre Breaks **

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  • Oct 21

    One of the great traditions in the great theatre capital cities is for the restaurants to provide pre-theatre menus or post theatre menus. It’s because of the limited time available at slightly different hours to when most people not going to see a show would probably dine out.

    Here’s one that’s actually south of the river at Browns near “More London”

    Browns Pre and Post Theatre Menus

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  • Sep 24

    Why London Theatre Breaks?

    London is easily the centre for musicals, comedy and plays in Europe with Paris showing only a fraction of the shows so if it’s big shows you are looking for then London theatre breaks are the way to go. It’s not simply each of the individual shows which alone might justify a visit, but the sheer concentration of great theatrical entertainment in one small area of the capital. London must surely boast more traditional theatres per square mile than anywhere else on the planet, and within London’s Theatreland they are all protected listed buildings of significant architectural interest.

    Other attractions in London

    By choosing London for a short break or night out at the theatre, you then have countless other opportunities during a stay to see a host of famous sights, experience an exhibition, river trip, flight on the London Eye or anything else you might imagine.

    London Hotels for Theatre Breaks

    By booking a London theatre break with hotel and show tickets inclusive you can make the most of that great after-show feeling of exhileration without being let down with a bump by having tall the hassle of a nasty long journey home experience. Theatre breaks also guarantee the best inclusive deals, really smart hotels and top show tickets.

    Top Shows for London Theatre Breaks

    These are some of the top shows currently on offer in London’s West End.

    Hairspray
    Phantom of the Opera
    Mamma Mia
    Dirty Dancing
    Wicked
    Billy Elliot
    We Will Rock You
    Jersey Boys
    Les Miserables
    Chicago

    and there are always some new ones coming up such as

    Zorro
    Carousel
    Imagine This
    Come Dancing

    Tips for booking London Theatre Breaks

    • be flexible with your dates
    • Read some reviews of the shows you might fancy or pick a standard favourite
    • Check prices for staying two or three nights – these can be very worthwhile
    • If coming from UK regions, book rail fares as well – save up to 40%

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  • Sep 3

    nursery wallpaperNursery Wallpaper is a new blog on Capital Style which explores the exclusive niche of spcialised wallpapers for babies’ rooms and nurseries. It’s by the same author as Shabby Chic Furniture which shows in the latest beautiful picture here

    Nursery Fabric Nostalgia – a child’s island of delights

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